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This method allows us to use the communicative power of images to be able to communicate with ourselves on a higher, deeper and more effective level.
Expressing emotions, feelings or thoughts through words, is often difficult or complicated because words are not enough or are inadequate. The visual/artistic language of images can help us to express what we cannot say out loud.
The experiential approach aims to simplify learning by facilitating the development of the person himself who, through the use of creative/artistic activities (sometimes immersed in natural environments), manages to have a different outlook on life, achieving an authentic connection with himself.
The ultimate aim is to stimulate and enhance one’s personal resources and potential by facilitating the work of self-knowledge, clarity, awareness and development of one's potential
Drawing inspiration from the very essence of Suminagashi, I have developed experiential workshops in three phases: preparation, execution and interpretation.
The preparation is considered a real ritual, and the tools used play a role of fundamental importance. Each use is not random but designed for the person or context in question, with the aim of facilitating artistic expression and stimulating the creative side. All the techniques proposed are oriented towards simplicity of execution but with a surprising effect.
The execution in the creative process is closely linked to Japanese philosophy, where it is possible to release deep emotions and feelings, to surrender to the movement of the brush on the water and let it flow. The uniqueness of the gesture is characterised by the total absence of control over the drawing, soft, rhythmic and fluid movements. During the workshop you will learn the art of letting the ink go on the surface of the water, with minimal interference from the performer. Pure WU WEI, the Taoist precept of acting without forcing, in complete harmony with nature.
In the third phase, the Suminagashi Experience offers a further route to knowledge through the guided interpretation of the drawings. Reading the work reveals information about our inner situation, puts us in deep contact with our feelings and inner representations, of which we are often unaware. This helps us to get in touch with our deepest self, giving voice to our soul.
This exquisite, early 16th-century, proto-neoclassical villa, surrounded by the landscape of the Euganean Hills and adorned with stunning frescoes, embodies a perfectly balanced fusion of nature, art and architecture, suspended between reality and illusion.
BREDA DI PIAVE - TV
Romance and charm in an old 1570 mill restored in country chic style and illuminated internally by candles and lanterns. The choice of furniture and decorations declined with meticulous care make the rooms places where the look can get lost and find a new detail. The garden is enchanting, reminiscent of the atmosphere of the French countryside with a panoramic view of the vineyards and the lush surrounding nature. Perfect theater for a spectacular dinner.
Charming seventeenth-century barn, once owned by a former Benedictine abbey, now an exclusive resort that offers enchanting and historic settings immersed in the quiet of the countryside, where nature is still unspoilt. An oasis of peace for a unique experience among Nature & Culture. The term glamping comes from the fusion of the two terms camping and glamour, innovative and elegant form of camping, a magical and unexpected place.
Protected by the Department for historic buildings and cultural heritage of the Friuli-Venezia Giulia region, L’Ultimo Mulino is a unique example of immaculately restored 17th century watermill and converted it into an exquisite and stylish hotel and restaurant. Its décor is warm and welcoming, with stonewalls, terracotta and hardwood floors and soft colors. Surrounded by two small rivers and a large garden with all kinds of flowers, an oasis of beauty of yesteryear.
- Personal growth paths lasting about 1 hour and 30 minutes (individual or in couples), tailor-made for the person or the context at hand, favouring the experiential and creative approach that facilitates learning and development of the person, accelerating recognition and definition. The starting point is the uniqueness of the person: it is the person’s natural characteristics that trace the direction to be taken and a goal is set at a later stage.
- Themed courses of various lengths, from 3 to 5 hours:
